Leiber
Elvis Presley Girls! Girls! Girls!
Elvis Presley Girls! Girls! Girls! Written by Jerry Leiber and Mike Stoller. Elvis recorded it in March 1962 at Radio Recorders. It was used as the title song at Elviss 1962 film Girls! Girls! Girls! The main title version and the one used on record is take #3. The end title version, with different vocal backing and lyrics, was the result of a splice of three takes. This is both versions and they are available on the Girls! Girls! Girls! FTD release. Girls, goin' swimming, Girl, in bikinis, A walkin' and wigglin' by, yay, yay, yay Girls, on the beaches, Girls, oh, what peaches, So pretty, Lord I could cry I'm just a red blooded boy And i can't stop thinkin' about Girls, sailin' sailboats, Girls, water skiin', They'll drive me out of my mind, yay, yay, yay Girls, big and brassy, Girls, small and sassy, Just give me one of each kind I'm just a red blooded boy And I can't stop thinkin' about Girls! girls! girls! girls! And when I pick up a sandwich too munch A crunchy crunchety A crunchety crunch I never ever get to finish my lunch Because there's always bound to be a bunch of Girls, in tight sweaters, Girls, in short dresses, A walkin' and wigglin' by, yay, yay, yay Girls, out boatin' Girls, just a floatin' So pretty, lord i could cry. I'm just a red-blooded boy And I can't stop thinkin' about Girls! girls! girls! girls! girls! girls! I'm just a red-blooded boy And I can't stop thinkin' about Girls! girls! girls! girls! girls! girls! Girls! From Tahiti Girls! From Samoa Girls wearing skirts made of grass Brazilian beauties Castilian cuties Si Si Si, Yes Yes Yes Girls! From Manila Girls! From Bali Bali Girls! twisting every which a way Girls! In tight sweaters Girls! In short dresses From the good ole USA Im just a red-blooded boy and I cant stop thinking about Girls! Umm Girls umm Girls umm Girls umm Girls Girls girls girls girls girls girls girls girls girls girls
Elvis Presley Treat Me Nice
Elvis Presley Treat Me Nice Written by Jerry Leiber and Mike Stoller for Elvis's third film, Jailhouse Rock. This version is the record version and it was recorded September 5, 1957 at Radio Recorders. The single had a 10-week stay on Billboard's Top 100 chart reaching #27. It as the B-side to Jailhouse Rock. It peaked at #11 on the Country Disc Jockey chart. Sales exceeded 1,000,000 copies. The movie version was recorded April 30, 1957 at Radio Recorders, but that version remained unreleased until 1988. This song is available on The King of Rock 'n' Roll-The Complete 50s Masters; Jailhouse Rock/Love Me Tender Soundtrack compilation; Elvis at the Movies, 2nd to None, Great Performances, Elvis Golden Records Vol. 1, and Artist of the Century, which is where this version is from When I walk through that door Baby be polite You're gonna make me sore If you don't greet me right Don't you ever kiss me once, kiss me twice Treat me nice I know that you've been told It's not fair to tease So if you come on cold I'm really gonna freeze If you don't want me to be cold as ice Treat me nice Make me feel at home If you really care Scratch my back and run your pretty Fingers through my hair You know I'll be your slave If you ask me to But if you don't behave I'll walk right out on you If you want my love then take my advice Treat me nice Make me feel at home If you really care Scratch my back and run your pretty Fingers through my hair You know I'll be your slave If you ask me to But if you don't behave I'll walk right out on you If you want my love then take my advice Treat me nice Treat me nice If you really want my love then treat me nice
Stand By Me
Written by Ben E. King, Jerry Leiber and Mike Stoller; Arranged by Mac Huff; Soloists (in order): Paula Kramer, Rebecca Schatz
"On Broadway" - Santa Cruz Follies
Recorded live at the Santa Cruz Follies in Santa Cruz, California during September 2008.
Tags: "Barry "Cynthia "Leiber "Phil & Drifters follies Mann" R&B Sixties Spector" Stoller" Weil"
7. Bach: Jesu, meine Freude, BWV 227
Stereo: http://br.youtube.com/watch?v=yP32qWKisXM&fmt=18 Johann Sebastian Bach (1685 - 1750). Motet: Jesu, meine Freude, BWV 227. 9. Chorale Gute Nacht, o Wesen, Das die Welt erlesen! Mir gefällst du nicht. Gute Nacht, ihr Sünden, Bleibet weit dahinten, Kommt nicht mehr ans Licht! Gute Nacht, du Stolz und Pracht! Dir sei ganz, du Lasterleben, Gute Nacht gegeben! 10. Chor So nun der Geist des, der Jesum von den Toten auferwecket hat, in euch wohnet, so wird auch derselbige, der Christum von den Toten auferwecket hat, eure sterblichen Leiber lebendig machen, um des willen, daß sein Geist in euch wohnet. 11. Chorale Weicht, ihr Trauergeister, denn mein Freudenmeister, Jesus, tritt herein. Denen, die Gott lieben, muß auch ihr Betrüben lauter Zucker sein. Duld' ich schon hier Spott und Hohn, dennoch bleibst du auch im Leide, Jesu, meine Freude. 9. Chorale Good night, existence that cherishes the world! You do not please me. Good night, sins, stay far away, never again come to light! Good night, pride and glory! To you utterly, life of corruption, be good night given! 10. Chorus Therefore now since the Spirit of Him who raised Jesus from the dead dwells in you, that same who raised Christ from the dead will make your mortal bodies living, for the sake of His spirit that dwells in you. 11. Chorale Hence, you spirits of sadness, for my Master of joy, Jesus, comes here. For those who love God, even their troubles must be pure sugar. Though I endure mockery and shame here already, nevertheless you stay with me even in sorrow, Jesus, my joy. In the midst of his first season at Leipzig, while having to produce a cantata for each Sunday of the year, Bach was asked to provide music for the funeral of a distinguished University academic. What resulted was Bachs most lengthy and ambitious motet. The work "Jesu, meine Freude" is actually a lengthy and detailed set of variations on that choral melody. Bach had, in his early years, produced several Choral...
Dion 1962-I Was) Born To Cry - (W Interview )
There are two artists named Dion, one is Dion Francis DiMucci, the other is John Kerssies, a dutch hiphop producer. Dion Francis DiMucci (b July 18, 1939), better known as Dion, is an American singer-songwriter, now widely recognized as one of the top singers of his era, blending the best elements of doo-wop, pop, and R&B styles. Early years Dion was born to an Italian-American family in the Bronx borough of New York City. As a child, he used to accompany his father, a vaudeville entertainer, on tour, and developed a love of country music particularly Hank Williams and the blues and doo-wop stars he heard in local bars and on the radio. His singing abilities were honed on the street corners of Crotona Avenue, where he rounded up other local singers inventing acapella licks, and in local clubs. In early 1957 he auditioned for Bob and Gene Schwartz, who had just formed Mohawk Records. They recorded him with a vocal group, The Timberlanes, and released a single The Chosen Few, arranged by Hugo Montenegro, which became a minor regional hit. With the Belmonts, 1957-1960 Schwartz also signed up Dions friends, The Belmonts, named after nearby Belmont Avenue. Their breakthrough together came in early 1958, when I Wonder Why made # 22 on the national US charts, followed up with No One Knows and Dont Pity Me which were also chart hits. This success won Dion and the Belmonts a place on the Winter Dance Party tour with Buddy Holly, Ritchie Valens and the Big Bopper. On 2 February 1959, after playing at Clear Lake, Iowa, Dion decided that he could not afford the $36 cost of a flight to the next venue [1]. The plane crashed, and Holly and the other stars were killed. In March 1959, Dion and the Belmonts next single, A Teenager In Love, was released, making # 5 in the US pop charts and # 28 in the UK. Their biggest hit, Where or When, was released in November 1959, and reached #3 on the US charts. However, in early 1960, Dion checked in to hospital for heroin...
Elvis Presley Dainty Little Moonbeams
Elvis Presley Dainty Little Moonbeams Written by Jerry Leiber and Mike Stoller. Elvis recorded it March 1962 at Radio Recorders. Elvis sang a portion of the song in his 1962 movie Girls! Girls! Girls!, leading into the end title version of Girls! Girls! Girls!. It is available on Kid Galahad/Girls! Girls! Girls! Soundtrack compilation. Girls in kimonos, shy little flowers Smiling from beneath their parasols Dainty little moonbeams, delicate as china Gentle little oriental dolls
Stand By Me
Stand by me. Lyrics and music by Ben E. King, Jerry Leiber & Mike Stoller. Performed by Ben E. King 1961, and here performed by Olav & the House of Blues, Vadstena, Sweden, January 2009.
Tags: Ben Blues by E. House Jerry John King Leiber Lennon me Mike of Olav Stand Stoller Sweden Vadstena
The Dixie Cups-People Say (1964)
The Dixie Cups are an American pop music girl group of the 1960s.The group hit the top of the charts in 1964 with "Chapel of Love," a song that Phil Spector, Jeff Barry and Ellie Greenwich had originally written for The Ronettes. The trio consisted of sisters Barbara Ann and Rosa Lee Hawkins; plus their cousin Joan Marie Johnson, from the Calliope housing project in New Orleans. They first sang together in grade school. Originally they were to be called Little Miss and the Muffets, but were named The Dixie Cups just prior to their first release.[1] By 1963 the trio had decided to pursue a career in music and began singing locally as the Meltones. Within a year Joe Jones, a successful singer in his own right with the Top Five 1960 single "You Talk Too Much," became their manager. After working with them for five months, Jones took them to New York, where record producers / songwriters Jerry Leiber and Mike Stoller signed them to their new Red Bird Records. Their first release, "Chapel of Love," proved to be their biggest hit, although they had other hits with "People Say" (#12, 1964), "You Should Have Seen the Way He Looked at Me" (#39, 1964), "Iko Iko" (#20, 1965), and "Little Bell" (#51, 1965).[2] "Iko Iko", a New Orleans R&B standard, was recorded early in 1965. Barbara Hawkins had heard her grandmother sing the song, first recorded in 1954 as "Jock-a-Mo" by James "Sugar Boy" Crawford. Barbara Hawkins: "We were just clowning around with it during a session using drumsticks on ashtrays. We didn't realize that Jerry and Mike had the tapes running". Leiber and Stoller overdubbed a bassline and percussion, and released it. It was The Dixie Cups' fifth and last hit. In 1966, the Dixie Cups were moved to the ABC-Paramount record label and later temporarily retired from the record industry. In 1969 the Hawkins sisters moved from New York to New Orleans, where Rosa Hawkins began a successful modelling career.[3] Both Rosa and Barbara also worked as make-up...
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styleathon fakie hardflip fs overcrook fs revert hatte nicht viel zeit deshalb haesslich
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